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The Big Stupid Review

Archives

01-07-2010
Injustice for All by D. E. Fredd
The Polysyllogistic Curse by Gary J. Shipley
How It's Done by Anjoli Roy
Ghost Dance by Connor Caddigan
Two in a Van by Pavlo Kravchenko
01-04-2010
Uncreated Creatures by Connor Caddigan
Invisible by Anjoli Roy
One of Us by Sonia Ramos Rossi
Storyteller by Alan McCormick
01-01-2010
Idolatry by Robert Smith
P H I L E M A T O P H I L I A by Traci Chee
They Do! by Al Po
10-15-2009
Love Fwd'd On by Chris Vaughan
The The Theft of the Magi by Gregory Anthony Schneider
Sam Edwine Gets That All-Important Publishing Contract, and Decides What the Key Word of His Book Shall Be by Tom Bradley
07-01-2009
Notes on a New Financial Year by Chris Vaughan
The Diddling of the Immensity by Thor Garcia
The Right Woman by Roger Castle
07-01-2009
Mawlawchee by Ben Drinen
06-01-2009
Successful P's by Chris Vaughan
Excerpt from Dear Vito by Mickey Z.
As the Song Goes by Ryan McBride
05-01-2009
Menage a Deux by Hugh Fox
Maybe I'm Stupid by Steven Schutzman
04-01-2009
Americans vs. Aneurysms by Eli Richardson
Application For The Chaparral Writers Society by John-Ivan Palmer
03-01-2009
Swearing: A Bedtime Story by John Grochalski
Excerpt from Dear Vito by Mickey Z.
01-01-2009
Two Pauls by Warren Buckles
Moments by Christopher Hart
12-01-2008
The Waiting by Brian Alan Ellis
Symphony #1: Roger Castleman by John Grochalski
11-01-2008
A Splinter from the Devil's Mirror by Bryn Greenwood
Between You and the Man-Sized Prophylactic with the Zipper by Tom Bradley
Chief by Warren Buckles
09-01-2008
Routine by Felipe de Oliveira
Automatic Transmission by Warren Buckles
08-01-2008
The Axiom of Choice by Jim Chaffee
07-01-2008
A Pleasure Jaunt with One of the Sex Workers Who Don’t Exist in the People’s Republic of China by Tom Bradley
Making the Switch by George Sparling
06-01-2008
The War Prayer by Mark Twain
05-01-2008
About the Dog by Robert Aqunio Dollesin
04-01-2008
The Coup by Peter Schoenau
03-01-2008
Art School by Zach Plague
Consitutional Puppies by JR
02-01-2008
Selection from The Vicious Circulation of Dr. Catastrope by Kane X. Faucher
Party Pooper from Make Me by Eli Richardson
Una Noche Perfecta para Sanguijuelas por Jim Chaffee (tr. Sonia Ramos Rossi)
01-01-2008
A Night in Cameroon by Kelly Jameson
Missile by Jason Jordan
Full TEX Archive
Side Photo for The Big Stupid Review

Photo Finish

By Anya Wassenberg

Heraclitus

Her face is nearly perfect—brows a nice, clean arch over heavily shadowed green eyes, lips sharply defined in a dark red. Just a little loose powder, that's all she needs, for that matte finish the camera loves. I stare at her for a few seconds more before reaching into the vanity drawer to shuffle around for the compact. Translucent finishing powder, ivory. I handle the little brush deftly, almost without thinking, applying a thin layer of dust over all the other paint.

"What time is it?" I call over my shoulder, and Marty answers me from downstairs.

"Quarter to."

I'm right on schedule. Now back to the mirror. Her face is ready and the hair that frames it looks good too, long and blonde, tumbling over my shoulders in soft waves. I give her a wink, this girl in the mirror. No worries, Blondie. You look great!

"He's here," Marty calls up from the bottom of the stairs, "at least, I think that's him."

My heels click across the floor of the hallway quickly to the bedroom, then they're muffled by the carpet as I head for the window. A black BMW with New York plates pulls up across the street. I watch as he parks, then gets out and fetches his equipment from the trunk; a couple of duffel bags, a couple of lights. A quick glance up and down the block, and a few curious neighbors look from the porches of this leafy residential street near the Niagara River. But they've seen this before.

"You must be Rick," and I smile with my hand outstretched. Rick takes it firmly.

"Hi," he says with a big smile back.

"Come on upstairs," and I turn to lead the way. Marty closes the French doors on the downstairs. Rick is right behind me as I climb back up with exaggerated movements.

"So," I turn to face him once we've gotten to the bedroom, "I thought this to start out," and I raise my arms a little to show, turning around so he gets the full effect, as if he hadn't already from the trip upstairs. "Short and sweet, and with all the buttons, it's good for a strip sequence, you know? Then I have lots of lingerie and stuff, different shoes, you can choose whatever you want me to wear."

"Right," says Rick, "yah. That looks great." He sorts out his cameras, sets up his lights, while I sit demurely on the bed and wait. "Ready?" he asks finally.

"Sure. Where do you want me to start?"

Rick studies me for a moment. I'm learning to recognize that look they get in their eyes - clinical, analytical. My spine arches in response, muscles tighten. I curl into an inviting shape.

Heraclitus

"That's fine," he says, "just like that."

So we begin our choreography, me twisting and gyrating on the bed, unbuttoning and shedding layers as he circles around with his camera. I'm down to lingerie; bra and panties, and stockings, all in basic black. It's always a good place to start, and it contrasts nicely with my pale skin and hair. I slip the straps from my shoulders, then unhook my bra from the back and let it slide off completely. I fall back onto the mattress, twisting my nipples between thumb and middle fingers until they harden to tiny rosebuds. My fingers skim down farther to my belly, where they push inside my panties.

Rick moves closer, and slowly I move the panties aside to expose the great prize. His eyes are big, wide open, when I pull open my lips for that first all important pink shot.

"Nice pussy," he says. "Really nice."

"Thanks." Everybody says that. I've never been sure what it means, though. "I have toys," I mention casually. "Do you want video clips too? Masturbation maybe?"

"Yah. Sure," he says, pausing for a second to stare at my nice pussy. "You do a lot of video?"